[Review] Nosferatutu or Bleeding at the Ballet

nosferatutu

Tommy Bradson as the vampire Kevin

Griffin Theatre Company
Until 21st January

“Oh, go on! Play something sad! Play! We need music!”

A ballet dancer, clad in elaborate costume, takes the stage while the three-person orchestra starts in on the first haunting strains of Swan Lake. For a moment all is silently-amused peace while the cavalier dances his melodramatic way through the palace gardens, exaggeratedly miming out the scene. Then, the lights flash red – and the vampire strikes!

“Shit! Shit, shit, shit, shit, shit. Why does this always happen when you go to the theatre, Kevin?”

Nosferatutu is part stand-up comedy routine, part performance dance routine, and part musical drama. Tommy Bradson plays the anxious, impulsive vampire Kevin, a poor soul who wishes he could just once enjoy a performance without jumping the performers and sucking their blood. The show isn’t over as the jam-splattered dancer topples, though, because Kevin is determined for the show to go on – even if he has to do it himself. Luckily for him, he manages to prevent the musicians and the tech crew from fleeing, and enlists Sheridan Harbridge – the usher who saw the audience in – as his reluctant co-performer.

This show is packed with energy and talent. Bradson’s Kevin never lets up for a moment, flitting from despairing, self-pitying lamentations to dizzying musical numbers to vaudeville-like comedy in the space of seconds. The audience is left in a state of perpetual laughter and excitement, because it is truly impossible to predict where he’ll take the show next. Even amidst the chaos, Bradson ensures we never lose sight of the core idea of Swan Lake as a comedy of errors performed by a very sad and lonely man (sorry, vampire) and a coerced usher.

What deserves particular mention are the vocal talents of both Bradson and Harbridge. Their voices are beautiful, both spanning the full range from deep thrumming bass to stunning soprano. Nosferatutu is packed full of spontaneous little numbers that, quite frankly, could form an impressive piece of musical theatre on their own.

So if an eternally-dying physical prop of a ballet dancer, a half-assed Swan Lake with some truly quality headgear (from jewel-encrusted swans to shaggy demon horns) and a nervous, wise-cracking vampire who just can’t stop tearing down the fourth wall sound like a recipe for a great night out, do not miss Nosferatutu. It’s bloody good!

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